The Covies Film Production Company
Making drama out of a crisis.
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In the early part of the summer Danny McLaughlin from the Westport Chamber of Commerce approached me with regard to the question of attracting filmmakers and TV companies to use the town as a location for their productions. It had been mentioned before, but I always seemed to be busy working on this or that and everything was put on the long finger. However as Bob Dylan sang, the times they are a changing. The TV industry had been hit very hard in 2009, with advertising revenues falling and many indies going to the wall. For the first time in nearly two decades I found myself not only unemployed, but having to claim benefits. So when Danny raised the question again an idea occurred to me that the best way of attracting Fimmakers and production companies to Westport, would be to actually make something. I came up with COVIES. If we could raise enough money and sweep into production early enough it would be the world’s first online multi-stranded drama – or to use the more familiar term - soap. |
![]() Len Collin |
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Although there have been many pretenders to the title of world’s first online soap, most have been stand alone, single stranded pieces aimed at the teenage market. We would have eight episodes of approximately 12 – 15 minutes in length. Almost two hours of episodic storytelling, that demand just as soaps do, a continuation of loyalty. Boasting a cast of over forty, and some of the best locations on the planet. It was ambitious and completely mad. |
![]() Above from left to right: Len Collin, Dave, Sneddon Rob Coakley, Brian Durcan
Below: "Nellie" and Brain in Toby's toilets
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Meetings were held in and around the town with the involvement of the local council, the Chamber and local businesses such as destination Westport and The Mayo News. It seemed I was on to something as everyone believed in the idea, but in a recession money is tight so pretty soon the initial budget that I had proposed of sixty thousand euro got whittled down to twenty thousand. That would be enough to buy us equipment and keep cast and crew fed during the three week filming period. However all our cast and crew, including myself, would have to work for nothing. I should have called it a day then and there. Had I managed to secure the initial €60k it would have been tight, now it was near on impossible, but once a story starts formulating in your head then it haunts you until the ghosts of your characters are exorcised only by commitment to script. In other words I’d already started writing and recruiting. We reached the point of no return when we held the first auditions in Dublin on the 18th August, followed by further auditions in Westport on the 21st August. We saw nearly one hundred and fifty auditionees. Thankfully the standard was very high, even though the level of experience ranged from the seasoned old pro, to the complete greenhorn. We were to start shooting ten days later, which must be the shortest pre-production schedule ever. Especially considering that only half the scripts were written by then and we had only received one quarter of the promised funding. |

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Westport’s population is only around the seven thousand mark and Mayo is not reknowned as the centre of the Irish film industry, so it was truly amazing how many talented technicians I found right on my own doorstep. Brian Durcan and Dave Sneddon I already knew, but Rob Coakley my production manager was sent from heaven, without him blood would have been spilt. This formed the production company's core. We would soon be joined by Joseph Conlan [Composer], Anna Ryder [Costume], Dan Macmanamon [Sound], Ian Boyle [Lighting], Patrick Murphy [ Camera Assistant], Therese Kelly [1st AD], Michelle Dolan [Wardrobe] and Juliane Henley [Make up] and Frankie O’Donnell [Pig Wrangler]. Without the financial support of Danny McLaughlin and Eugene Lavelle our first time producers, we would not have had cameras with which to shoot our actors on the first day of principle photography. There were many humps and bumps to get over, but we negotiated each hurdle with the flair of a thoroughbred racehorse and with the conviction of religious zealots. We wrapped on schedule and on budget on the 21st September. Right now we’re in the middle of post-production. We know that we have a show of outstanding quality. Yes there are errors, yes there are areas where the low budget meant compromise, but the production values are high, the achievement is incredible and I get a little moist when I think of how many people have dedicated their time and passion to this project.
It is my hope that Covies will achieve at least three things: That it will attract Filmmakers, production companies and tourists to the town of Westport. – The cooperation we received was second to none. People handed over their houses and businesses to us to use as locations, the council facilitated the closure of roads, we were leant everything from, clothes and coffins to a pig. That the show will launch the careers of some very talented creatives. The quality of acting for example is quite extraordinary. I believe we have found some genuine stars amongst the cast. Anna Ryder [Costume] is in my mind already a star designer [and I used to sleep on Paul Smith’s couch – so I should know] The show will generate work for all involved. COVIES will premier via this website on 11.01.10 Thank you for joining us and please spread the word. Len Collin Creator of COVIES COVIES = Slang for the indigenous folk of Westport, County Mayo, Ireland
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